The space

Built for podcasting, not retrofitted.

Not a converted meeting room. Not a music studio with a few mics bolted on. Every surface, camera and cable was chosen for one thing: exceptional conversations.

The room, practically

Seats up to four around the desk, with space for a producer and guests off-mic. Step-free access via Canalot Studios reception. Ten minutes from Westbourne Park station, parking on site. Tea, coffee, and an engineer who has heard every possible way a session can go wrong, and quietly prevents all of them.

Pricing, plainly

Studio hire from £200 an hour, engineer included. Audio plus 4K video rates available on request. Half-day and full-day rates available. No hidden extras: your files, delivered same day, are part of the price.

Hourly, audio

From £200/hour, engineer included

Hourly, audio plus 4K

Quoted on request

Half day

Quoted on request

Full day

Quoted on request

Marcus Bronzy in headphones at a Shure microphone, acoustic foam behind him, on How To Kill An Hour
How To Kill An Hour host in a white shirt smiling into a Shure microphone
Kae Kurd and Marcus Bronzy at studio microphones recording Ain't Got A Clue
Marcus Bronzy and Kae Kurd in headphones at the Ain't Got A Clue desk
How To Kill An Hour hosts on the studio sofa with controllers, coloured light behind them
How To Kill An Hour host reading from a phone into a studio microphone
How To Kill An Hour host in a striped shirt smiling at a Shure microphone
How To Kill An Hour host laughing into a Shure microphone during a recording

01

Acoustically Engineered

Purpose-built sound treatment for crystal-clear dialogue. Every surface eliminates echo and background noise.

02

Multi-Camera 4K Video

Cinema cameras with professional lighting rigs, for broadcast-quality footage on YouTube and social.

03

Broadcast Microphones

Shure SM7B and condenser options matched to every voice for the best possible sound.

04

Remote Guest Capability

Seamless dial-in for remote guests in broadcast quality. They sound like they are sitting right next to you.

05

On-Site Engineering

An experienced engineer included with every booking. You focus on the conversation; they handle the tech.

In the racks

The kit that makes the room work. This is the working broadcast set, not a hire catalogue. Full serialised inventory is available on request for insurance and technical riders.

Microphones

Shure SM7B dynamics as the desk standard, with matched condensers when a voice needs more air. Isolated paths so four people never fight for the same gain.

Cameras

Multi-camera 4K cinema setup for long-form episodes plus vertical cut-downs. Locked frames so guests forget the lenses are there.

Lighting

Broadcast key, fill and practicals for faces, set and product inserts. Soft enough for long sessions, hard enough for social stills.

Remote guests

Broadcast-quality dial-in and return monitoring so off-site guests sound in-room, not like a Zoom call.

Monitoring & control

On-site engineer desk with talkback, metering and same-day file handoff. You leave with the session; we leave with the backups.

Want the full model and serial list for a rider? Ask when you book and we will send the current stocktake.

Find the room

Canalot Studios, 222 Kensal Road, London W10 5BN. Ten minutes from Westbourne Park. Step-free via Canalot reception.

Directions

This is the room How To Kill An Hour records in. It's available by the hour.

Come and see it.

Canalot Studios, 222 Kensal Road, London W10 5BN. Hirers can check a date. Production clients can book a strategy call.